LunarTime

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LUNAR TIME:
Living Data Library

Kinship-mind

Kinship-mind is about "relationships and connectedness... there are no isolated variables - every element must be considered in relation to other elements and the context." (Yunkaporta, 2019, pp.169-170)

 

2007
Connectivity
Cellular Memories

2020
River song
Song of River, Land and Sea

2020
Connectivity: love and money
Dance of Phytoplankton and People

2018
Oceanic Living Data
Primal forms in nature, art and data

Connectivity 2007. Voice: Mary E. White. Music: Max Eastman. Drawings/words: Kim Holten, Christine McMillan, Joris Everaerts. Animation: Lisa Roberts

 

Story

Lisa Roberts: "...Kim Holten wrote these words in response to stories held in glacial ice:

I met Kim in 2007 at the University of New South Wales when she was a teacher and Aboriginal Education Adviser and I was exploring how animation can be used to combine different ways of knowing. Kim was raised in La Perouse by her grandmother, a Dhanggati woman, and so I was grateful when she agreed to participate in workshops I was leading. We began with listening to what people knew about Antarctica and climate change. We moved, drew and wrote responses to that experience. I traced and animated our drawings and words, showed draft animations to the group, and incorporated peoples' feedback to reflect, as much as possible, the group experience. Years later (Feb, 2020) I find these recollections on Kim's way of learning, in the 2012 Keynote Address to the Children's Book Council of Australia:

Nadia Wheatley: "...Kim explains that the Aboriginal way of learning is to do with 'the way we communicate'... And it's not just about the speaking but it's about the deep listening - it's being able to listen very closely to what people are saying. That was one of the invaluable lessons that my grandmother taught me, through the way she told her stories. My auntie Boronia does it, even to this day. If she wants you to listen to her, she'll talk to you on her drawing breath in - it's like a whisper - so you have to get closer to her. And my grandmother would do that too, so it would force you to come close and lean in and listen, to really get the message - to get the meaning behind what she was saying, as that story was being built up and built up and built up and built up and built up! And then getting to the point, and the inflexion in the voice going down.'"